An image from the film this blog is named after.

An image from the film this blog is named after.

Tuesday, May 12, 2020

BFI Top 50: The Battle of Algiers, Released in 1966, Directed by Gillo Pontecorvo


What I know going in
The film details the revolution that took place in North Africa against colonial France during the 50’s. Great film about terrorism or the greatest film about terrorism? I also forgot to mention that I have listened to Ennio Morricone’s score for the film several times (which is great by the way and totally different from his work on various spaghetti westerns).

Immediate thoughts
It is very tempting to completely vilify the French colonialists in the movie. The Arab portion of the city is blocked off and the residents are forced into work during a strike (highly evocative of the Jewish ghettos and forced labor camps of World War II). Random house’s full of civilians are destroyed. Numerous people are subjected to brutal torture (electrocution, burning, waterboarding, and hanging by the limbs to name a few), and it is unknown if the subjects are actually involved in the conflict as the scenes are given no context. Needless to say, these scenes are probably even more relevant today than they were during the time of the film’s release. With the release of the horrible pictures from Abu Ghraib, the film serves as a reminder that the issues surrounding torture have existed for a very long time and remained unsolved.

Even though my own political ideals make me sympathetic with the goal of the Algerian resistance, the film still forced me to deal with the totality and messiness of the situation. I believe even the film supports overthrow of the French, but that doesn’t stop Gillo Pontecorvo (the director) from depicting the atrocities committed by the rebels. This includes gunning down random policemen (who, up to that point, may not have done anything against the native Algerians), and bombing completely innocent people in café’s and horse racetracks. Three women who commit the café bombing are shown hesitating before placing their bombs, clearly showing that they know what they are doing is wrong. The greatest strength of the film is its ability to remain even-handed in its depiction of both sides of the conflict.

To remain so balanced, the film is shot in a style reminiscent of Italian neo-realism. The camera weaves through throngs of people, down countless back alleys, and into the run down apartments of the oppressed Algerians. Its gritty black-and-white immediacy forced me to deal with the human toll of the violence depicted. Every action has a horrible consequence. Each bombing that takes place is followed by the piling-up of several bloodied and mutilated bodies.

Further thoughts
Reading through my Facebook feed the other day, I a comment left by one of my friends caught my eye. "You make mistakes because you're focusing on the target and not your actions." Having just watched the Battle of Algiers, this comment got me thinking. The comment perfectly sums up why all of the horrific violence is allowed to happen throughout the movie. The French police and paratroopers stop seeing the rebels as human and make horrible moral compromises justified by their need to keep control of the country. The rebels are so focused on their goal of liberation that the innocent lives their attacks take are a simple afterthought. The Battle of Algiers represents what happens when people become so dedicated to a cause that they lose their humanity. As Jean Martin's Colonel Mathieu states: "No, gentlemen, believe me, it is a vicious circle."

In addition, I realized that during my viewing of the film, around the halfway point, I began to feel a sense of extreme unease. It wasn't disgust or shock, but a quiet, creeping sense of dread. At a certain point, the endless sequence of bombing, shootings, and torture started to simultaneously numb and unnerve me. Knowing that this type of violence is currently going on in countries such as Syria, and will probably continue long after I pass away, made me want to stop watching and try to think of something positive.

Does it belong on the list?
Yes, if you define a great movie as one that remains relevant far past the time of its release, this is perhaps the greatest movie ever made.


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